Opinions and attitudes expressed in signed articles are solely those of the contributors and not necessarily those of the publishers. We do not publish personal attacks on individuals or hysterical abuse.
A Touch of Class
The Pride of the Raven Flute Band, East Belfast.
a friend in a Glasgow flute band told me about a CD he'd picked up while
parading in Belfast. The CD was A Touch of Class by the
Pride of the Raven Flute Band. As a collector of flute band music, and
also with it coming highly recommended, I purchased a copy. I can tell you I
was not disappointed!
The Pride of the Raven is known across the
land as being one of Ulster’s premier melody flute bands. Formed in East
Belfast in 1968 they seem to go from strength to strength. Their musical
ability seems to improve with age as well. This, to my knowledge, is their
second recording, and a top class recording it is. At the moment it has to
be one of the top ten melody recordings on sale.
First track on the CD is The British Legion.
As we approach ‘Poppy Day’ it's quite poignant that this is the first track to
be reviewed. Every time I hear this tune I always think about the night of
Remembrance that takes place in the Albert Hall, London, on the eve of the
Remembrance parade at the Cenotaph. This tune is, in my mind, one of the
best on the CD. The flute section is spot on. The drumming is very
tight and flawless. Well done lads. A superb tune, always has been and
always will be. You have done this tune justice.
Track two is The Councillor. I
like the way the band plays this. Nice melody with a bit of Blood and
Thunder thrown in. I've heard this tune played by a number of bands before and
feel they do it a injustice at times. Nice to see the ‘Raven’ going
to town on it! I like tunes like this - that have a bit of ‘oomph’ in
there. Makes you stand up and listen.
Track three is not an all time favourite of mine,
La Tambour Major. Every time I hear this tune it always reminds me
of the excellent William King Memorial Flute Band playing in the side
streets of the Fountain on ‘Derry Day’. They were flawless, like the
Pride of the Raven! The more I listen to your CD the more this tune
grows on me. Hope for us all!
Track four, well being a Scouser myself I can relate
to the tune, Leaving of Liverpool. I expected the band to be
wearing Arran jumpers a la The Spinners. There's not a Scouser
alive who does not sing along to this tune. Had me singing, had Pete
Waterman knocking at my door. Excellent lads that’s all I can say.
If I had one little criticism, thought the bass drummer was too loud. But,
hey what do I know?
Couer de Lion
is track five. This for me is the track that the flute section come alive
on. I like that the drums are just right, not to heavy. Bass drummer
is spot on. An all round excellent rendition of an excellent tune.
An all time favourite of mine is track six,
Rambling Irishman. I'll keep this simple. You played one of
my favourite better than I could've imagined. 10/10 lads.
Stars and Stripes Forever
is track seven. Close you eyes and think back to the opening scene of A
Few Good Gentlemen and the band crossing the parade field. Could that
not be the ‘Raven’? Bass drumming on this is superb. Not
missing a single beat. I'll be honest I'm not a great fan of this tune, no
matter what band plays it, but the Pride of the Raven seem to give it
something that makes listening to the tune bearable. That is not a slanderous
comment towards the band. As stated I don't like the tune but you make it
easier to listen to.
18th December/No Surrender
is the eighth track. Apart from The Sash, Derry Walls is up
there as a good old Loyalist tune. How many of us, who've listened to this
CD, have not played their imaginary bass drum? I have and will continue to
do so. Lads another 10/10. For our technically minded friends out there,
would it not be good to see the Governor, Alastair Simpson, giving his speech at
the Apprentice Boys dinner when he said "Today we earned the rights for every
Apprentice Boy to walk the walls of Derry" while the ‘Raven’ played
Derry Walls as background music?
Track nine, Flag and Empire. One
word sums this tune up, Superb.
An old flute band classic, White Plume.
Track ten. Another excellent rendition. Drum section is so spot on.
Well done, to the bass drummer also. Flute section 10/10.
The New Colonial
is the eleventh track to feature on A
Touch of Class. You can just picture the band, being led by their
Drum Major in his red tunic and bearskin, turning the corner onto the Craigavon
Bridge blasting this tune out. Superb lads, superb.
Twelve down twelve to go. Track twelve is
5th November/Protestant Boys. There's not a bandsman alive that
can not relate to this tune. Very good, one little problem with it, too
Track thirteen is Regatta.
Before getting this CD I had never heard this tune. Which is the good
thing about buying melody music, you get to hear tunes that you would not hear
at any other time. This tune can take some getting used to. Still growing
on me, so I will not give much judgement on it. What I have heard up to
now is spot on. Good flute section. Good all round marching tune.
Track fourteen every Rangers fans dream, Every
Other Saturday. 12/10 to the bass drummer. Very good.
Would I be right in assuming that there is a little jig at the end of this
rendition? If so, liked it. Added at certain edge to it.
Fifteen is King Cotton. Very
good rendition. Not my favourite tune on the CD. But, nevertheless
nice to listen to. Very relaxing.
Quite appropriate to me is track sixteen,
Glaswegian. I travel to Glasgow tomorrow. Like this tune a
lot. Like the Blood and Thunder influence in it. Yet again, 10/10 to
the bass drummer.
is the seventeenth track. The band does this a lot of justice.
Especially, the piccolo player. Comes in at the right time. Some
melody bands, I find, tend to overblow and overplay the piccolo. Big pat
on the back lads.
Eighteen, no Loyalist album is complete without
these tunes on it. Rifles/No Pope of Rome. Would it be my
imagination or is this not the tune to be playing as you approach the Bogside.
Lads, superb. Had me on my feet singing to this tune, to the dismay and
anger of my neighbours.
Track nineteen is On The Quarterdeck.
Love this tune. One of my old time favourite naval related tunes.
I've seen other melody bands play this, but, not as good as you do. Superb
Track twenty, well you just couldn’t, could you? The
Sash & The Lily. I like this, no fancy introductions just straight
in, the way The Sash should be played. No fancy bass
drumming, just giving it some wellie. One for the twelfth morning next
year I think.
Track twenty-one is La Festive.
Hhmmmm! I just don't know. Maybe it's me. I don't know.
Not a lover of this, but the band do well. It's hard for me to comment on
this as I tend to skip this tune as I'm not a great lover of it. What I
have heard is very good. Drummers on this are very good. But!
First time I heard track twenty one, Black
Bear. I thought my, oh my. Superb tune, played by any band, even
better played by the ‘Raven’. Excellent!
Twenty three, Killaloo. I think
the band have got the arrangement right with the track listing on the CD.
So many bands make the big mistake of starting with this particular tune.
To me, this can either make a CD or kill it! Happily, this is an ideal
tune to finish this CD off. The band play it as well as any other melody
band, if not better. One hundred percent performance, well deserved all
accolades for this CD.
Twenty four, The National Anthem.
Nothing I can say is there?
thanks Robbie for his review of the Pride of the Raven’s excellent CD,
A Touch of Class. Robbie is also web-master of the
Flute Band News.
In an effort to promote Ulster’s marching band culture, Glenwood Publications
– the publishers of The Twelfth – is happy to recommend
A Touch of Class.
For a copy of A Touch of Class, send a cheque/Postal Order (made
payable to Glenwood Publications) for £11.00 (including p & p) to: Alternatively you
can place an instant order through Paypal clicking on the appropriate button
Alternatively you can place an instant order through Paypal clicking on the appropriate button below.
Copyright © 2000 - 2007 Glenwood Publications. All rights reserved.